ALTAR
fine art original of acrylic on matte board
fine art print
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When the wreckage subsided, I climbed over the broken forest to a large cedar still standing by a small stream almost gone underground from the silt-covered drifts of branched across its flow. I asked, “What do you need that I can do?” and saw with my inner eye the jumbled remains of tree stumps stretching into the distance, and also a small jar of red paint. I understood to touch every tree, and spent a year climbing over branches and falling through brambles, touching my finger into a jar of red ochre and then touching every tree stump.
At the very beginning of my impossible task, I found a small chip of wood with a beautiful burled patterning on its reverse, and I kept this with the ochre in the pocket of my old coat. Each time I would complete my struggle for the day, I would wipe my finger clean on the cut side of the wood. One year later at the end of my not quite so impossible task I decided to create a shamanic painting of the clear cut to honor all the tiny shoots of green pushing up to soften the haul roads and cat tracks.
When I paint I begin along the upper edge and paint, finished as I go, to the bottom edge. The painting in progress looks like a completed work with a white film over portions of the image that is slowly being peeled off a few inches a day. After I had completed about 1/3 of the portrait of the clear cut, I became bored with where it might be going.
I remembered the little piece of wood still in my old coat, and when I spent time gazing into its ochre-stained surface—this is who I saw. I do not know who she is and what she is holding, but if you take some moments to meet her gaze, she might tell you.